Victoria Bennett
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Illustrations by Adam Clarke
A year in an Orkney garden · Elliott & Thompson, 2025
Leaving behind years of caregiving, Victoria Bennett moves north to Orkney where she begins again with a garden, steadily transforming a small, weather-beaten backyard plot into a wild apothecary shaped by the island's tides, plants, and seasons. As she tends the soil, she traces the histories carried within it and within herself, finding new ways of living, making, and belonging. At once intimate and expansive, this is a book that asks us to pay attention — to the land, to our bodies, and to the small, necessary acts of care that make a life.
With the years of early motherhood and elderly caregiving over, Victoria faces a time of change. She and her family decide to take a leap, moving five hundred miles north of everything they know to the northern Scottish islands of Orkney, where the winters are long and the summer a perpetual light.
Uprooted and in an unfamiliar landscape, Victoria instinctively returns to the work of growing, setting out to transform her scrappy backyard into an abundant apothecary garden by the sea, inspired by Orkney's folklore, ancient landscapes and wild nature. Shaped by the weather and the wild plants that grow at the edge of the sea, she creates a biodiverse backyard sanctuary filled with micro-habitats, wildflowers and herbs. Here, in her apothecary, she crafts teas, tinctures and balms inspired by the islands' elements and stories.
As the year closes and the endless summer light turns once more to dark, Victoria finds belonging not only in the garden she has nurtured, but in the landscape that has quietly embraced her and called itself home. Here, at the wild edge of things, she is reclaiming parts of herself long set aside.
'Beautifully tender, full of love and life and longing, Victoria Bennett's The Apothecary by the Sea offers us plants to heal and a voice to guide us through turbulent times. A love song to the landscape of Orkney, Bennett's work serves as wildflower guide, and recipe book, not just for teas and potions but for a life well lived.'
Maya Jordan, author of Chopsy
'A book for anyone who has stood at the shoreline of their own grief and wondered how to continue … enduring and humane, it feels like a small glass jar of sea-scented balm pressed into the reader's palm, asking only that we breathe deeply and remember that we belong to the turning of the earth.'
Brigit Anna McNeill, author of The Wild Within
'A beautifully written account of how one woman, in midlife, connects with place and makes a new home for her and her family … a gorgeous meditation on connecting and listening to the natural world, and our bodies, in living with chronic illness. A poetic resistance.'
Louise Kenward, editor of Moving Mountains
'A profound invitation to enter into conversation with the land — and, in doing so, yourself. A gift for times of transition, a companion for those navigating thresholds in life, when old maps no longer serve and new ways of being are quietly forming … lyrical and grounded, a gentle generous guide to placemaking.'
JC Niala, author of The New Eden
'This gorgeous book is made of wisdom and love, and it will hold you close, whatever life may bring.'
Kerri Andrews, author of Pathfinding
'A great insight into the apothecary growing all around us, and the power of listening to our own needs.'
Marian Boswall, author of The Kindest Garden
'A beautiful haven of a book; richly nourishing, inspirational and full of hope … a comforting book perfect for our uncertain world.'
Catherine Simpson, author of When I Had a Little Sister
'An enchanting and enriching mix of memoir, ecology and magic, and a heartfelt antidote to a fast-changing and often troubling world.'
Annie Worsley, author of Windswept
'A beautifully evocative guide to life in an Orkney garden … I could almost smell the salt air and the bladderwrack from the first page to the last.'
Rebecca Beattie, author of The Wheel of the Year
'There is so much healing to be found in this book's soothing wisdom.'
Marchelle Farrell, author of Uprooting
'An enchanting tale of travel, arrival and the wonders of wild gardening.'
James Canton, author of Renaturing
From the book's world
Reviews
Jemma Neville · Gutter Magazine · Book of the Month
'The world is in perpetual crisis. And yet, in backyards and at kitchen tables, mid-life women are doing what we have always done in times of personal or global churn. We tend to all that is cyclical and hopeful: plants and people. Soil and soul. And what better place to turn to for spiritual connection to nature than Orkney, which is where Victoria Bennett's new memoir — come herbal inventory — The Apothecary by the Sea sets seed.'
'This is a book of micro-essays, sectioned by seasonal rhythms: first light, simmer dim, gathering in, and returning winter. The author's husband, artist Adam Clarke, adds texture with illustrations acting like pressed flower markers in between chapters. It reads as though an alternative almanac or commonplace book, in the sense that the essays can be standalone, or one narrative … The prose is one of intimate possibility.'
'Bennett is the real deal — skilled in making balms, tinctures and brews. Garden memoirs abound but few are like this, cultivated in a small, scrubby patch with little or no budget, and therefore relatable. "This matters, it [the garden] says — this flower, this tree, this seed, this small patch of land."'
'"Where do you stay?" the stranger asks. "Here," I reply. Close to where the wild things grow. In Hope.' Released in April to coincide with the flourishing of Spring, I recommend you also stay a while with the gently determined The Apothecary by the Sea.'
'There are some books that feel as though they were written from the inside of a tidepool; salted, wind-worn, patient with grief, attentive to small living things. Apothecary by the Sea is one of those rare works. It does not hurry the reader toward resolution, nor does it attempt to tidy sorrow into something convenient. Instead, it sits beside loss with a steady, human presence, and in doing so offers a kind of quiet companionship that lingers long after the final page.'
'What moved me most was the gentleness of her attention … The apothecary of the title is both literal and symbolic. It is the careful crafting of balms and tinctures, and it is also the slow assembling of meaning from fragments … These acts feel like prayers made tangible.'
'What makes Apothecary by the Sea so powerful is its refusal to separate beauty from pain. Bennett understands that they coexist, as light coexists with shadow across the surface of water. Her writing honours that complexity with grace … Victoria Bennett has written something enduring and humane, a work that feels like a small glass jar of sea-scented balm pressed into the reader's palm, asking only that we breathe deeply and remember that we belong to the turning of the earth.'
'As someone who has never been to Orkney, let alone Scotland, let alone Europe for that matter, I definitely was not the obvious target audience for this book. However, this story resonated deeply with me. Victoria's blend of the different plants and botanicals' history, uses, and habitat, alongside her family's first year on the archipelago of Orkney, is a powerful reflection of what it means to let nature call most of the shots.'
'What really stuck with me was how grounded the book feels. It does not romanticize the lifestyle too much. There is effort, uncertainty, and a lot of learning along the way, which made it all the more meaningful … It is the kind of book that gently nudges you to pay more attention to your surroundings, your routines, and maybe even to what you actually need.'
'I have been looking forward to reading this book so much and it didn't disappoint. Victoria writes so eloquently about her life on Orkney, a place that I would love to visit and even more so since reading The Apothecary by the Sea. This is a book full of history and geography and botany, each has its place and they are woven together seamlessly. Learning from the nature that surrounds her and putting that knowledge into something tangible — Victoria shows what can be possible in a rugged and remote part of the world. Nature writing at its finest.'
Also by Victoria Bennett
Motherhood, Loss and an Apothecary Garden · Two Roads, 2023
Weaving memoir and herbal folklore, All My Wild Mothers is a story of re-wilding our wastelands, and the transformation that can happen when we do. In a time of uncertainty, it has something to teach us about resilience, and the power of joyful resistance.
At seven months pregnant, Victoria Bennett learns that her eldest sister has died in a canoeing accident. In that moment, her life changes. Five years later, and struggling with the demands of motherhood, grief and full-time care, Victoria and her family move to a new social housing estate in rural Cumbria. Here, in the rubble of a former industrial estate, she and her young son begin to grow a wild apothecary garden: daisy, for resilience; dandelion, for strength against adversity; sow thistle, to lift melancholy, and borage, to bring hope in dark and difficult times. Stone by stone, seed by seed, they discover that sometimes life grows, not in spite of what is broken, but because of it.
An intimate memoir of motherhood, a handbook on survival, and a testimony to radical hope.
'…An impossibly moving memoir of gardens, herbalism, and the rigours and rewards of care. It asks what we might be willing to sacrifice for an artistic life, and what we lose of our selves when we attend to the needs of others before our own. It heralds the arrival of an exciting new voice in nature writing…'
Cal Flyn, Sunday Times Writer of the Year, author of Islands of Abandonment
'…the most moving portrait of a mother and child I've ever read. This is a book of passionate resistance to everything in modern life that wants us to stay neat and small and fearful…'
Tanya Shadrick, author of The Cure for Sleep
'Witnessing a mother nurture her son and her garden so tenderly while grappling with grief and the responsibilities of a carer was an unexpectedly beautiful and life-affirming experience.'
Jini Reddy, author of Wanderland
'A fascinating, tangled read on gardening as resistance and using ancient ways to heal in the modern world.'
Amy Liptrot, author of The Outrun
'One woman's grief, adversity and disruption could become your safe place as you take this journey with her — a beautifully written and wisely laid out memoir, or perhaps a treasure map back to "living", for those who have been away too long.'
Donna Ashworth, author of Wild Hope
'Prismatically beautiful in its honesty and telling, this book is a radical act of quiet rebellion.'
Nicola Chester, author of On Gallows Down
Poetry
Victoria has published five poetry pamphlets, most recently To Start The Year From Its Quiet Centre (Indigo Dreams Publishing). Her poems have appeared in numerous anthologies. Previous awards include a Northern Promise Award and the Andrew Waterhouse Prize.
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